Belonging Essay: “Rabbit Proof Fence” by Phillip Noyce Essay

A mind of deceaseing comes from having fri turn backships with masses and place/ Comp ar how the texts you constitute studied convey these ideas. Who am I? Where do I be languish? A soulfulnesss identity is shaped by their aesthesis of be and/or non run shorting. This conception is clearly explored in the touching movie track down proof fence of three girls rill away to find way radix, to where they belong to. Whereas, rotating shaft Skrzyneckis poems post card and 10 Marry Street focus on the self-awareness and run afouls inside the occasion as he tries to find his identity and belonging with a postcard and his old ho drug abuse. Rabbit- Proof hem in is a 2002 Australian romp film directed by Phillip Noyce. The true story is set in 1931, about three ab pilot program girls forced to leave their families in Jig on as they are half caste children to be trained in the home(prenominal) ways of modern civilization. The film explores aspects of both belonging and no n belonging in telling the story of these Aboriginal girls. Throughout Phillip Noyces Rabbit Proof Fence, Molly has a grueling smell of connection to the land and to her family. As she says at the extraction, Our people, the Jigalong mob, we were desert people then, walking all over our land it clearly fork overs where she lookings she belonged. But her words The albumen people, shows her opposite touch perception as she has no sense of belonging to white society.Young Molly is told by her mother about a fundamental figure of her culture, the spirit eagle which symbolizationises the totem of her community and the connection to her ancestor. The image of the family playacting and hunting together in the opening scene is one of unity, put up and protection. Unfortunately, Mollys family is soon separated as the children are displace thousands of miles away. The scene when the children are taken by the police is extremely outstanding and intense. The sense of loss is made greater by the screaming of the children and mother, her tell the word mine showing her ownership of her children and the frenzied feeling created finished hand-held camera work. The childrens modernistic home at Moore River is so unfamiliar and is juxtaposed with the natural world of their bushland home. The image of Molly, her sister and her first cousin sleeping together in the same bed focuses our attention on their need to feel secure and protected. They are forced to speak English, and their wording was thought wangka, jabber.The girls are taught to give up their culture and their oral communication to learn the white culture which is completely strange tothem. The enticements of the white people, Youll feel quite at home in this new world does not attract Molly and even get under ones skins her sick. The climax is when Molly decides to escape from Moore River. They walked 1500 miles along the longest fence in the world being hunted by Constable Briggs and an Aboriginal tracker. The fence in the movie represents a symbol of the way to their home. When they grip the fence, the film juxtaposes image of their mother also engrossing the fence, and a close-up shot of their smiles reveal their joy of being connected by beautiful e exploital music. Molly and her sister then continue their long journey home overcoming many obstacles to be finally reunited with their family. The slow motion image of the mother crying, hugging the kids emphasises the significance of their need to belong and the strong connection to family. The movie would not have a happy end as Molly is then taken away after she gets home, only when it cannot stop her from running away all her heart to be where she belongs.If Rabbit-Proof Fence leaves the audiences beautiful images of a familys strong connection and the desire to belong to a real home, the poem Postcard by Peter Shrzynecki explores the concept of belonging on the personas sense of cultural identity. It is a postcard tha t the author received, which depicts the city of Warsaw in Poland, his homeland. However he does not feel the same sense of connection to his homeland that his take feels, but rather feels alienated and disengaged. The negative connotations of the verb Haunts and its position on a line by itself highlight the personas unease and chatoyant connection to the place. This contrasts his friends perception that his parents will react positively to this postcard, feeling a sense of connection to it he requests I show it to my parents. The separation of I and his parents on a separate line suggests their diverse perceptions to the postcard. The poet described the picture in the postcard without enthusiasm, from the Red buses to The River and its concrete pylons and the inclines brightest shade.The colours in the post card are unnatural and his unfamiliarity with Warsaw is emphasised when he cannot tell whether something is a park. Skrzynecki however, is stuck by the moment. The usage of personification gives the effect of the poets conversation with Warsaw, I never knew you, which is his direct refusing of relation to the place. The following Except in the trine person emphasises the poets sheer distance and detachment in his life from the city. Contrast to Skrzyneckisnegative to the city, his parents and their friend as dying generation are continuing the attachment to the city with a strong sense of belonging. They shelter, defend Despite living in a new city, these older migrants find a sense of collective belonging in reminiscing about their Old Town. The persona clearly distances himself from this, separated through the distinction made between the pronouns, I and They. The author then confronts the conflict which lies in the rhetorical question Whats my plectrum to be? as his parents will be proud and speak of their Beloved Ukraine.The poet recognises the citys offers but concludes that he cannot give it more than eyesight and praise and his reply will no t come from his heart. Yet, it then ends with a tone of hopelessness as he asks, What more do you want besides the commit of despair? Which reinforces the poets conflict to acknowledge his connection and loss with the city. The use of direct speech A lone tree whispers, we will control before you die personifies Poland and suggests it is calling him home. It is a prophecy that he must(prenominal) visit Poland in order to understand his identity. The reason he could not yet belong to Australia is simply because he did not understand his original heritage. For Skrzynecki, to belong to Australia he must first belong to, and understand Poland by visiting it and giving in to its calling. The mothers of belonging on the other hand, are often initiated at birth within family, as it is the first crowd an individual becomes a part of. 10 Mary Street is the brood of Shrzyneckis family, and the poem that conveys with insight into the concept of familial bonds, and our instinctive choice to belong in the home.The sense of the comfort is established in the beginning of the poem with the simile A well-oiled lock indicates the positive image of the Skrzynecki sign of the zodiac going through the sense of ownership and security it provides. The Nineteen geezerhood also adds a depth to this and expresses the sense of belonging Skrzynecki felt to the place. positivistic the repeat of the pronoun We emphasises their togetherness and belonging to each other. In another simile, ravage the backyard tend like a hungry bird, Skrzynecki compares his early boyhood days of smart after school with a young bird in the go up revealing the delights of the familys vegetable garden and it creates an image of comfort, security and familiarity. The garden is an important aspect of their lives where the poets parent watered plants- grew potatoes like select children,stressing their strong connection to their home. The positive images For nineteen years, we lived together, and late r of visitors share-out their common interests, discussions, embracing gesture present their home as a trusted site of the liveliness and friendliness. Contrasting to the warmth and security inside, outdoors of the house with its china-blue coat, represents a refugee for them, and an unwelcoming culture into which the family must go, but do not really belong.Once again there was a barrier, the whitewash too-narrow bridge that separated the two worlds. Besides giving them a seaport from nature, the enclosed space gives them a chance to preserve a buck private life and include their past life in pre-war Europe. For nineteen years, Skrzynecki lived his Australian life style while his parents kept prewar Europe alive with photographs and letters. This juxtaposition portrays the adopted nature of the home for his parents as a refugee, and for the persona as a home. The immigrant familys naturalisation into Australian society is described as becoming citizens of the soil. This illustr ation creates a feeling of being connected as Skrzyneckis family accept and became a part of the land.Throughout the poem is tone of positive feeling and contented. The familys only regret is leaving the home. In essence, belonging is a fundamental aspect of an individuals life and one should make as many positive interactions with others in order to enrich their experience of this essential human need. Peter Skrzyneckis Post Card extensively explores that the sense of belonging if is undefined can haunt a person their entire life. This is contrasted with the idea that positive interactions of an individual to a group or their family as is highlighted in the film Rabbit-Proof Fence and especially in Peter Skrzyneckis 10 Marry Street, as the members of the Skrzynecki family feel an enriched sense of belonging to one another.